"Love + fear = Torment" is one of the most erotic and sensual films ever to be imported from France by Olympic International Films. It was only because of the significant social importance of this picture that U.S. Customs authorities allowed such a startling picture to be admitted into this country. It shows in infinite detail, the raw realistic side of French life, and should be one of the year's top box office draws. "Love + fear = Torment" exposes the secret world of the French model studios, and the men who try to corrupt them. Mobsters become involved when fifty-thousand dollars worth of uncut gems are stolen. A model studio becomes terrorized as one of the models innocently befriends one of the mobsters.

Madame Millois, an ambitious mother, thinks she has found the perfect match for her daughter Arlette, Count de Tremblay-Matour. Alas, the ideal husband happens to be a crook. On the night of the wedding, the fake nobleman robs his wife and abandons her. While the outraged Madame Millois looks for the real Count de Tremblay, Arlette seeks consolation with Maxime, a childhood friend. At last, the real count is found. Unsurprisingly, he is furious to learn that, legally, he is Arlette's husband. After a while though, he mellows and accepts to "remain" Arlette's husband.

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A thief hides out in the South and gets involved with the sister of a friendly fellow employee on an outdoor work site. But circumstances draw him back to the city, to another woman, and to murder.

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Unable to possess Ivy in reality, Adrian organizes himself so as to know everything about her, to possess her story. Like the viewer, Adrian will be an involuntary detective, witness to a passion.

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They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…